I.

Introduction

Epic, long narrative poem, majestic both in theme and style. Epics deal with legendary or historical events of national or universal significance, involving action of broad sweep and grandeur. Most epics deal with the exploits of a single individual, thereby giving unity to the composition. Typically, an epic includes several features: the introduction of supernatural forces that shape the action; conflict in the form of battles or other physical combat; and stylistic conventions such as an invocation to the Muse, a formal statement of the theme, long lists of the protagonists involved, and set speeches couched in elevated language. Commonplace details of everyday life may appear, but they serve as background for the story and are described in the same lofty style as the rest of the poem.

The Greeks distinguished epic from lyric poetry, both by its nature and its manner of delivery; lyric poetry expressed more personal emotion than epic poetry and was sung, whereas epic poetry was recited (see Lyric).

Epic poems are not merely entertaining stories of legendary or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history. Examples include the ancient Greek epics by the poet Homer, the Iliad and the Odyssey. The characteristics of the hero of an epic are national rather than individual, and the exercise of those traits in heroic deeds serves to gratify a sense of national pride. At other times epics may synthesize the ideals of a great religious or cultural movement. The Divine Comedy (1307-1321) by the Italian poet Dante Alighieri expresses the faith of medieval Christianity. The Faerie Queene (Books I-III, 1590; Books IV-VI, 1596) by the English poet Edmund Spenser represents the spirit of the Renaissance in England and like Paradise Lost (1667) by the English poet John Milton, represents the ideals of Christian humanism.