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from | Encarta |  |
Photojournalism |
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| A black-and-white photo is particularly effective in capturing this 1968 protest march in Tennessee. The photographer achieves striking contrasts, framing the line of protesters between bayonets and tanks, emphasizing the theme of black and white with lighting, and singling out the white man with no sign and no glasses. | ||||||
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| UPI/THE BETTMANN ARCHIVE | ||||||
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| Appears in these articles: | ||||||
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| Photojournalism; Photography, History of; United States (People) | ||||||
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