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Florence Cathedral

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Florence CathedralFlorence Cathedral

Florence Cathedral, in Florence, Italy, cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance (see Renaissance Art and Architecture). Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral.

The cathedral's architectural style, although greatly influenced by French Gothic elements (see Gothic Art and Architecture), remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral, on the site of a Christian church founded in the 6th or 7th century, began in 1294 and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto (better known as a painter of frescoes), Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome, which dominates the Florentine roofline.

The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows were designed by Italian architect and artist Lorenzo Ghiberti and others, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters.

Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 85 m (278 ft) high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters.



Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni (6th-9th century), noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti.

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