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Iranian society in the early 20th century consisted of a narrow ruling elite (the Qajar dynasty monarch and his extended family, court-appointed officials in Tehrān and provincial capitals, major landlords, and chiefs of large nomadic tribes); a middle tier, including urban bazaar merchants, the Shia clergy, and artisans; and a large, poor segment comprising mostly share-cropping peasants and nomads but also some town dwellers engaged in service-sector trades. Following the overthrow of the Qajar dynasty in 1925, Reza Shah Pahlavi implemented wide-ranging economic development programs that stimulated the industrialization and urbanization of the country. These changes led to the emergence of two new, urban social groups: a middle class of professionals and technocrats (technical experts) and a working class engaged in manual and industrial labor. Reza Shah’s son and successor, Mohammad Reza Shah Pahlavi, continued the development programs, and the two new social groups gradually expanded. By the late 1970s, however, the professional and technocratic middle class had divided into secular and religious factions. Both groups contributed to the overthrow of the shah in 1979; the secular group objected to the autocratic rule and economic corruption of the monarchy, while the religious group feared that the shah’s embrace of the West threatened traditional Islamic morality. The religious middle class, in alliance with the Shia clergy and under the leadership of Ayatollah Ruhollah Khomeini, gradually split from the secular middle class and consolidated power after the revolution. This group pursued an accelerated industrialization program, causing further expansion of the middle class.
Codes of personal conduct and group behavior that far predate the Islamic conquest of the 7th century continue to influence Iranian culture. Enduring cultural values include obligations to extended family, hospitality toward guests, and striving to act morally. However, social changes during the 20th century affected these values. For example, the new professional middle class began living in nuclear family (consisting only of father, mother, and children), rather than extended family, residences. Busy lifestyles in large cities and eight-hour workdays proved incompatible with the custom of spontaneously inviting friends home for a meal. The increase in educational opportunities for girls since 1979 raised expectations among women for work opportunities outside the home. The rapid expansion of the middle class since the revolution has stimulated the growth of a consumer society in which various material goods are perceived as status symbols. The 1979 revolution was heavily imbued with religious rhetoric. Its leaders subsequently banned many forms of entertainment that they considered sinful, including casinos, nightclubs and dance halls, movies that featured nudity or sexual themes, and musical genres such as pop and rock. For more wholesome entertainment, the government encouraged Iranian traditional and Western classical music, new films emphasizing family values, and recreational and sports facilities segregated by gender. Both men and women were required to dress modestly in public. For women, modest dress, or hejab, meant covering their hair with a scarf and having no exposed flesh other than their hands and faces; for men it meant wearing long trousers and long-sleeve shirts. The population gradually adapted to the various restrictions and continued to enjoy prerevolutionary leisure activities such as attending sports events, especially soccer, the national pastime. The general decline in public entertainment venues contributed to an increase in home entertaining. Popular foods at such gatherings include fresh seasonal fruit, greens, and nuts. Also popular are traditional Iranian dishes of steamed rice served with minced lamb and chicken kebabs cooked over charcoal or with traditional stews made with simmered meat, fruits, legumes, and spices. Tea is always served to guests in the home and the workplace; fruit juices and carbonated beverages also are popular. The sale and consumption of alcoholic beverages has been prohibited since 1979, although there is a black market for bootleg vodka and wine. Other general recreational and leisure activities include hiking, picnicking, watching television and videos, and making seasonal visits to Caspian Sea beaches and various historical sites and religious shrines. In large cities, shopping and attending movies, concerts, theaters, museums, and poetry readings also are popular.
Poverty is a major social problem in Iran, but the government provides low-income families with various subsidies for food, fuel, and utilities. Health-care services remain inadequate in rural areas. Another serious social problem is the widespread recreational use of illegal drugs, especially among young men, despite the government’s heavy use of the print and broadcast media to educate the public about the harmful effects of addiction and drug-related crime.
Public social services in Iran include a national health insurance program that provides free or low-cost health care in government-run city hospitals and village clinics. A social security program, funded by a special tax on wages and salaries, provides pensions for retired public sector employees and some private sector employees. It also provides survivor benefits to widows of deceased retirees and veterans killed in action, disability payments to family heads incapacitated by work-related injuries or catastrophic illnesses, and special payments for minor-aged children of deceased workers. Numerous private organizations also provide various social services for low-income people.
Iranian art forms have a long tradition and distinctive style, as exemplified in architecture, carpets, ceramics, metalware, painting, and woodwork. Government patronage of artists dates from more than 2,000 years ago. Aesthetic ideals predating the Islamic conquest of the 7th century, such as stylized figural representation and geometric shapes, influenced the evolution of art in Iran during the early Islamic period (650-1220). Examples of elaborately decorated bronze, ceramic, gold, and silver objects from this period are preserved in museums. Persian poetry also developed during this time, and works by several poets of the period are considered classic literature. During the Safavid dynasty (1501-1722), considered a golden age for Iranian art, miniature painting and architecture reached their highest point of development. In the 20th century Iranian artists and writers began experimenting with new styles and techniques, incorporating European and East Asian influences into their work.
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