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Islamic norms prohibit the representation of people and animals in art. As a result, Egyptian Islamic art relies heavily on Arabic calligraphy and abstract arabesque designs. The Fatimid era (969-1171) and the Mamluk era (1250-1517) were especially rich in architectural monuments, many of which remain standing in Cairo today. The principal surviving monuments of the Fatimid era are Al-Azhar mosque and the city’s northern gates. The grandest monument of the Mamluk period is the madrasa (Islamic school) of Sultan Hasan. In the 1920s and 1930s, Mahmud Mukhtar, who ignored the Islamic prohibitions, became a well-known and highly respected sculptor and a leading figure in the emergence of modern Egyptian plastic arts. His statue Egypt Awakening (1928) is an icon of nationalist cultural modernism. Twentieth-century architect Hasan Fathy became known for promoting elements of traditional peasant design. Among his better-known public buildings is the mosque in Gurna, a village near Luxor in Upper Egypt.
Sayyid Darwish, who composed musicals, operas, and popular songs, was the leading figure in Egyptian music in the early 20th century. Other prominent musical figures of the 20th century were female singers Umm Kulthum and Layla Murad, composer and singer Muhammad Abd ‘al-Wahhab, and singer Abd al-Halim Hafiz. Umm Kulthum was the leading lady of Egyptian (and Arab) song in the 20th century. Layla Murad, often considered the second greatest female Egyptian singer of the 20th century, was also a movie star. Muhammad Abd ‘al-Wahhab was the leading male vocalist of the 20th century, while Abd al-Halim Hafiz was especially popular with younger audiences in the 1950s and 1960s. The national dance company, the Reda Dance Troupe, specializes in modern adaptations of folkloric dances. Belly dancing is popular among all classes and is performed in a variety of settings ranging from nightclubs to family celebrations.
The first modern Arabic plays were performed in Cairo in the 1870s. Leading 20th-century dramatists include Mahmud Taymur, Tawfiq al-Hakim, Yūsuf Idrīs, and Nu`man`Ashur. Egypt has been the center of film production in the Arab world since the 1930s. The best-known director, Youssef Chahine, made his reputation in the 1950s and 1960s with nationalist works of social realism such as Bab al-Hadid (1958, also released as Central Station and Gare centrale) and Al-Ard (1969, The Land).
The Egyptian Museum, in Cairo, houses the world’s largest collection of ancient Egyptian art, including the treasures from the tomb of Pharaoh Tutankhamun. The Museum of Islamic Art, also in Cairo, has a rich collection of illuminated Qur'ans (Korans), wood carvings, pottery, and other Islamic artifacts. Cairo's Coptic Museum has an especially fine collection of textiles made by Copts. The Greco-Roman Museum, housing collections of art from the periods when Egypt was under Greek and, later, Roman rule, is located in Alexandria. The Egyptian National Library and the Al-Azhar University Library, both in Cairo, house major collections of Arabic manuscripts. Joel Beinin contributed the Arts section of this article.
For most of Egypt’s history, its economy was based almost entirely on farming, despite the fact that more than 95 percent of the country’s land area is infertile desert. Long an exporter of cereals, in the 19th century Egypt began to specialize in growing cotton, which is still an important cash crop. The first significant industries were set up only in the 1930s. Industrialization increased in the 1960s after much of the industrial sector was brought under state control. In the late 20th century other important sources of revenue included tourism, oil production, and remittances from the 3 million Egyptians working in the Persian Gulf states. Despite its economic and social development in the 20th century, Egypt was a relatively poor country in world terms, with a gross domestic product (GDP) in 2005 of $89.4 billion, or $1,207.20 per capita.
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