Egypt

G

Ways of Life

Two major socioeconomic groupings exist in Egypt. One grouping consists of a wealthy elite and a Western-educated upper middle class. The other grouping, which includes the vast majority of all Egyptians, is made up of peasants and the urban lower middle class and working class. There are great differences in clothing, diet, and consumer habits between the two groupings.

In the 1970s the government introduced economic liberalization policies known as the open door (infitah in Arabic). These policies greatly expanded the numbers of middle-class professionals (importers, financiers, commercial agents, and various kinds of middlemen) with connections to foreign capital and foreign culture. These professionals are major consumers of imported luxury cars, European fashions, and European and American films and music. The lifestyle of the old, wealthy elite is similar.

The wealth, lifestyle, and foreign cultural orientation of the old elite and the newly rich contrast sharply with the poverty of the vast majority of the population. Most Egyptians cannot afford, and in some cases do not want, much of what they see advertised on television, in the newspapers, and on urban billboards, or glorified in Western television serials.

Both major groupings enjoy a few of the same aspects of popular culture. These include soccer, the popular music of legendary Egyptian singer Umm Kulthum, and the comic films of actor ‘Adil Imam.

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In the past, women from peasant and poor urban families worked in the fields or in the shops of their families, while women from the elite and the middle class remained at home as a symbol that the male head of the household was wealthy enough to support the family without its women working outside the home. Today maintaining a middle-class lifestyle usually requires married women to work for wages. Many wear headscarves as a way of asserting that they remain good Muslim women despite working outside the home.

The most popular items of Egyptian cuisine are flatbread, boiled or deep-fried fava beans, kushari (a dish combining pasta, lentils, and onions), and fresh fruits and vegetables. Tea and coffee are the most popular beverages and are essential components of social and business visits. Wealthier Egyptians frequently eat European food, especially French cuisine.

H

Social Issues

Egypt’s most serious social issues are poverty and overpopulation. There are few wealthy people and many poor people. When adjusted for inflation, the incomes of peasants and working people rose only modestly between the mid-1970s and the end of the 20th century. Overpopulation has strained the physical infrastructure—including roads, sewer systems, water supply, and utility lines—and social service networks of Cairo and other cities. Middle-class housing is expensive and difficult to find. Violent crimes, relatively rare until the late 20th century, have increased as urban life has become more difficult.

I

Social Services

Employees of the government and of state-owned enterprises receive substantial social benefits, including health care, a pension, and unemployment insurance. Large private firms also may provide such benefits. Smaller privately owned firms are not required to do so, and most do not. Egypt has no system of income support for the poor. Under the open door policy, which aimed at encouraging private enterprise and loosening state controls on the economy, government subsidies that lowered the prices of basic consumer goods were radically cut. As a result, the prices of these goods rose considerably. However, bread sold in poorer neighborhoods is still subsidized.

Joel Beinin contributed the People and Society section of this article.

IV

Arts

Egypt has long been a center of Arabic and Islamic literature, architecture, and decorative arts (see Arabic Literature; Islamic Art and Architecture). Performances of epic poetry, murals depicting the Muslim pilgrimage to Mecca, Sufi (Islamic mystic) singing and dancing (see Sufism), and other expressions of popular culture are all part of Egypt’s artistic heritage. In the pre-modern period, the country’s elite supported artists who worked in formal Islamic styles that tended to be austere and centered on Arabic calligraphy. In the modern period many elements of European-style art, literature, and cinema have been incorporated into Egyptian cultural life.

For coverage of Egyptian arts prior to the Islamic conquest in the 7th century ad, see Ancient Egypt. The following section deals primarily with Egyptian arts in the 19th and 20th centuries.

A

Literature

The Nahda, a renaissance of Arabic literary culture that occurred in the late 19th and early 20th centuries, was centered in Egypt. At that time many Christian journalists from Syria immigrated to Cairo and founded several newspapers and magazines, which disseminated modern concepts of science, society, and culture. Arabic short stories first appeared in Egypt in the late 19th and early 20th centuries. Zaynab (1914), by Egyptian writer Muhammad Husayn Haykal, is often erroneously considered to be the first Arabic novel.

Other leading Egyptian writers of the 19th and 20th centuries include Taha Husayn, known for his autobiography al-Ayyam (The Days, 3 volumes, 1925-1967); Yūsuf Idrīs, considered the master of the Arabic short story and also a noted dramatist; Naguib Mahfouz, a celebrated novelist and winner of the 1988 Nobel Prize for literature; and Sonallah Ibrahim, who has experimented boldly with the novel form. Tawfiq al-Hakim, whose novel The Return of the Spirit (1933) was a favorite of Gamal Abdel Nasser, is known for both fiction and dramatic writing.

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